Tuesday, May 19, 2015

"Brick By Boring Brick" Is Never Boring

One of my favorite songs by Paramore is "Brick By Boring Brick", and the music video is also fantastic.  Read this paper I wrote and you will understand why a film geek like me is obsessed with music videos.
Introduction:
            The arts of music and television have been weaved together for decades, producing a deeper meaning within the text.  Through the use of indexical, iconic, and symbolic signs, messages are conveyed through the art of music videos, portraying the story a specific song suggests.  Just as commercials and television shows can be analyzed through semiotics, music videos can be studied using the same philosophy.  Using semiotic analysis, I will break down the various signs within the music video for Paramore’s hit “Brick By Boring Brick”.  Following the semiotic analysis, I will outline and design an audience research study, based on the ideas of David Morley and Ellen Seiter. 
Semiotic Analysis:
            The music video for the song “Brick By Boring Brick” alternates between two different scenes, which represent two distinctive worlds.  One world symbolizes make-believe and the world of magic, while the other symbolizes reality.  Along with these two distinct worlds, three main characters are also present.  There is a young female child, who travels between reality and make-believe, along with a young adult female, who stays in reality.  Lastly, there is a gravedigger, who stays in the realistic section of the video.  Each of these characters possesses specific signs, which denote and connote different meanings. 
            During the opening sequence of the music video, the young female child is introduced.  She is wearing a fluffy pink dress; butterfly wings, and carries a doll.  This young female child denotes a young child; this young child is the signifier.  On the other hand, this young female child represents something more when the influence of social media is considered.  Children, especially young female children, connote the idea of naivety, dependence, and weakness.  Both of these ideas are stereotypes associated with children, especially female children. In this way, the child connotes weakness, and is the signified.  When analyzing the female child, other signs are present within this aspect of the video.  
            As the child is running through the forest in the beginning of the video, she is wearing butterfly wings, and carrying a doll.  Regarding the sign of butterfly wings, this object denotes the idea of orange and black butterfly wings, which is the signifier.  While, when speaking of the connoted idea, the wings represent the idea of flying and escaping.  In many forms of social media, the idea of flying is associated with escaping.  Therefore, the wings connote the idea of escaping reality.  This conclusion is further supported at the end of the music video, when the child leaves the magical world without her wings.  In turn, she is returning to reality to deal with the present.    This idea of escape is the signified. 
            Similar to the butterfly wings, the doll also denotes and connotes certain meanings. This sign denotes the image of a doll, being the signifier.  Although, the image of a doll, based on social exposure to the media, connotes the idea of childhood and naivety. In the beginning of the film, the child carries the doll with her while she is in the real world.  She does not carry this doll with her into the world of make-believe, but does carry it with her when in the real world.  At the end of the music video, the child falls into the grave, and the young woman picks up the doll.  The young woman then throws the doll into the grave, and the gravedigger begins tossing dirt back into the grave.  In this way, the actions of the young woman connote the idea of burying the past, growing up, and facing reality.   With this, we begin to discuss the young woman as a sign.
            The young woman in this music video denotes a young blonde woman, wearing a white dress.  This view of the woman is known as the signifier.  On the other hand, the young woman connotes the ideas of strength and independence.   This contrast between the young woman and child suggests that the story is about the young woman, or about an individual the young woman knows.  Furthermore, the young woman is signing the song in the video.  She is also the lead singer of the band Paramore.  In turn, the actual lead singer of Paramore is the referent in this case. 
            Lastly, the character of the gravedigger also plays an important role within this music video.  The gravedigger denotes the image of a man digging a grave, acting as a signifier.  While the gravedigger denotes this image, this character connotes to idea of death and relief.  This idea of death and relief are examples of the signified.  The development of these associations is based on the exposure to culture and the social media.  In the music video for “Brick By Boring Brick”, this theory is highlighted when the gravedigger begins to bury the female child, and her doll, at the end of the music video. Furthermore, through this form of media, it is also possible to discuss the idea of a syntagm and paradigm.
            When discussing the syntagm and paradigm of visual media, it is possible to break down these definitions more clearly.  In other words, the syntagmatic dimensions of the video would include its structural elements, while the paradigmatic dimensions would include its content.  With regards to “Brick By boring Brick”, the syntagm is structured in the following way.  First, the child escapes reality by crawling through the woods.  Next, the child enjoys the world of make-believe.  The child then becomes frightened when the magical world turns evil.  Lastly, the child escapes the world of make-believe and returns to reality.  Weaved between this chronological steps are shots of the young woman and gravedigger.  By changing the order of these steps, the meaning would change. 
            Regarding the paradigmatic dimensions of the music video, we must examine the content presented to the audience.  The content in this music video can be divided up into various categories.    There is a list of characters, including the young woman, female child, and gravedigger.  Under the category of props, the doll, butterfly wings, grave, shovel, and swing are listed.  Lastly, the music video includes two settings: the graveyard in the woods, and the world of make-believe.  If an elderly woman replaced the female child, or if the butterfly wings became a witch’s hat, the meaning behind the music video would change. 
Audience Research Study:
            When discussing research methodology, there are specific aspects that must be considered.  In order to design a study, one must decide whether they will question subjects on an individual basis, or in a group.  As discussed by Seiter and Morley, there are both positive and negative aspects to each type of study.  According to Morley’s essay, the difficulty with asking questions in a group setting is that the dominant individuals of the group make sure their views are heard.  Less assertive individuals may not share their opinions, leaving the study with an inaccurate conclusion. When designing my study, I took this theory into consideration. When questioning my subjects, I will ask each individual separately, allowing every person in each social class to voice their opinions.  The type of questioning also needs to be considered when creating a research study.
            According to Morley and Seiter, there are two types of questions a person can ask.  For example, an individual may be asked open-ended questions, or questions that prompt a specific type of answer.  When individuals are asked an open-ended question at the beginning of an interview, all questions that follow are designed based on the subject’s unique answer.  Using this method, it is difficult to separate the results into groups due to their wide range of conclusions.  Keeping this in mind, I would not begin my research with this type of questioning.  In turn, I would create a list of questions that would prompt answers that would be easily grouped and organized.
            Now that I have clarified the reasoning behind the design of my research study, I will begin detailing the steps of my research methodology.  In order to divide up the population, I would consider social class, age, education, and race.  Also, I would create a group based on individuals who identify, and who do not identify with the song the music video was created to represent.  Each individual would be asked questions individually, and their answers would be placed in the corresponding categories.  Also, these questions would be specific enough to allow for conclusions to be easily drawn. 
            Regarding the type of questions I would ask, they would call for simple answers.  I would ask what they notice about the color scene of the video.  Also, I would focus on their interpretation of each individual character, along with their wardrobe.  I would call attention to the child’s wardrobe, and its individual pieces, but first I would ask if they noticed the significance of the butterfly wings and doll.    Each of these interviews would be conducted one-on-one.  When analyzing the individuals’ responses, I would look at them from an ideological standpoint; although, I would also focus on specific patterns that developed over time.  With this approach, I would be able to understand the logic behind each viewpoint.  Furthermore, I would be able to develop a philosophy that would further my understanding of the music video as a whole, and the effect its contents has on its viewers.
Conclusion:
            In conclusion, Paramore’s music video for their song “Brick By Boring Brick” contains many signs, which connote and denote different meanings.  For example, the butterfly wings denote the idea of orange and black butterfly wings, and connote idea the idea of flying and escaping.  The wings connote the idea of escaping reality. Furthermore, the young girl denotes a young child, but connotes the idea of naivety and innocence. Also, I formulated an audience study.  If this study was conducted, I would ask individuals specific questions that prompted a simple answer, and would not conduct this interviews in a group setting. In this way, Paramore’s music video establishes semiotic concepts.  

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